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The collaboration between Moon Ribas and Quim Girón began in 2019 with the motivation to blend performing arts with cybernetics, aiming to bring the audience a physical experience apart from the auditory and visual aspects. Thanks to these technological devices, their works are both participatory and connected to reality, allowing other living elements beyond our control to intervene in the dramaturgy of their works.Their motivation is to open the audience's awareness, encouraging them to observe the surrounding environment and make room to emerge new languages within circus and dance.

This common territory has led them to create different projects such as Phenomenon, premiered at the Grec Festival 2021 in Barcelona, Pregnancy Sense in 2022, Symphonic flock premiered at festival Sismògraf Olot in 2023, Underland a European project by Stronger Peripheries premiered in Mataró with Xarxa Transversal and in Sardinia with Sardegnateatro in 2023.

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Barcelona, ​​​​​​1985,

Graduated at DOCH (University of Dance and Circus in Stockholm) 2012 where he received the Sophie Hulten’s scholarship for his creativity, risk-taking and his ability as a circus artist. Master’s Programme in Contemporary Circus Practices at DOCH Stockholm University of the Arts in Sweden (2019). Founder and artistic director of the company Animal Religion 2012, interested in opening the limits of contemporary circus from an interdisciplinary perspective and using the body, lights and sound from the beginning of the creations to open up new stage performance. The company has been awarded several times, the Moritz Award for the best premiere of a street and non-conventional show at Fira Tàrrega with the show Chicken Legz 2014 (SP), the Grand Premi BBVA Zirkolika for the best indoor circus show and the City of Barcelona Special Award for the show Sifonòfor 2015.

Mataró, 1985,

Cyborg artist, degree in Choreography at Dartington College of Arts, England (2007), and has been part of an exchange program at SNDO (School of Development of Dance) (Holland).

Her most relevant project has been having implants in her feet for almost 7 years that allowed her to perceive the seismic movement of the Earth in real time through vibrations in her body.

Her work is based on investigating movement in a deeper way through technology, and exploring the limits of her body, her identity and art.

Her way of externalizing this new perception is based on making the Earth the choreographer and composer of her pieces.

In 2010, he co-founded the Cyborg Foundation.

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